‘We ask our readers not to look in the drawings that illustrate this book for the interpretation of the poems, even though they are of the same inspiration and the same era. We reproduced them because it seemed to us interesting to show the skill of the author who could, according to his own words, have become a painter: as he wrote in his diary on 5 January 1888, “Maybe I would be a painter. I really like to draw. If I took lessons, maybe I would realise that I have talent.”’

So wrote Louis Perceau in his 1938 introduction to La femme (The Woman), the only publication to demonstrate that the writer who inspired so many talented illustrators to complement his many erotic writings was also a very reasonably accomplished artist.

Unfortunately very few of Louÿs’ drawings survived the distribution of his unpublished papers after his death, but the few that did show that his artistic sensibility ran alongside his facility with words, his fascination with the female body translated into delicately-sketched curves, their sexuality acknowledged but not perverted.

Similar artists

Paul-Émile Bécat – French illustrator of refined erotic fine editions, including Louÿs.
Jean Berque – French interwar bibliophile illustrator of a similar sensual tone.
Antoine Calbet – French belle-époque painter and illustrator of sensual subjects.
Édouard Chimot – French illustrator and editor of refined erotic livre d’artiste editions.
André Collot – French illustrator of refined erotic editions in the period, including Louÿs.
Jean Dulac – French interwar bibliophile illustrator for the fine-press market.
Georges Lepape – French art deco pochoir illustrator for the Gazette du Bon Ton.
Mariette Lydis – Austrian-French painter of refined erotic subjects, including Louÿs.